GET OUTTA MY WAY

not a hip-hop heroine
This interview with Nellie McKay came to my attention via SF/J. After months of reading how McKay was the next big thing, I finally broke down and bought her CD (Get Away From Me) - nicely priced down to $4.95 at my local Amoeba.
I admit, close-minded as I am, I only really liked McKay's more convetional jazz ballads which, content-wise, are anything but conventional. She reminds me a little bit like the late Susannah McCorkle only with a better, lower voice and far more sardonic wit. This is from, "Won't U Please B Nice?":
- Stop with your jazz oratory
I only listen to top forty
N'Sync rules
isn't it nice
together we'll always live
no sacrifice
we'll vote conservative
if you run I'll pull a gun
give me head or you'll be dead
salute the flag or I'll call you a fag
oh won't you please be nice
Anyways, in the McKay interview, she has this to say about hip-hop (yes, Spidey, that tingling sense of danger is accurate):
- "O: You rap a little on your album. Do you listen to much hip-hop?
NM: I don't listen to much rap, really. I can rarely listen to a whole record of it, because musically, it's very formulaic, and oftentimes it doesn't have the best hooks on every track. I like my music to be very musical, you know? In terms of content, a lot of it's crap, with all the sexism and homophobic bullshit. It's incredible how rappers are always preaching nonconformity—you know, "I'm just gonna go my own way and be my own man and blah blah blah"—but they're the first ones to do so many things that they have to do. They have to do that hip-hop thing, a certain way of walking, and it's so conformist. I mean, way to buck the system! But I do think there's a great deal of politics mixed in. Their reference to the real world is much better than most, particularly a lot of women who seem like all they do is sing about love. Love is such a fleeting emotion. It's such a small part of the things you do in your life. I don't understand why that's all they concentrate on, except that that's what they're encouraged to do, because if you keep thinking about love, you'll be less of a challenge. I like that about rap. It's got power to it.
Any single of these comments, in the right context, might actually not be that problematic but taken as a whole, in one single paragraph, and it would appear that McKay knows as much about hip-hop as I do about death metal. Which is to say, not much at all. Hopefully, she can stick to penning sarcastic torch songs rather than opining on subjects where her disdain drips off that pretty little nose of hers.
In contrast, S to the F to the jigga-jigga-J actually decides to write on music he likes (yes, amazing, I know) which happens to currently include Nina Sky's "Move Ya Body" (currently in competition to be this summer's "Uh Oh" but hopefully with better songwriting and singing ability), Hoobastank's "The Reason," and an obscure rap/R&B crossover tune called "Yeah" by some guys named Usher and Little Jonathan. I hear that last one could be kind of hot.
My only point of curiosity with his column was that he refers to Sky's song as using a Jamaican "rhythm," which I always presumed was better known to most as a "riddim" but Mr. Jones informs me that Greensleeves spells it proper like and who are we to argue? By the way, according to the Man himself, this singles column is going to be a recurring piece in The New Yorker, which is just another reason why SF/J is godly. He can expect to find every indie and major label on the planet now sending him their new 12"s. Too bad for Sasha, there's no Amoeba in Manhattan.
- -Best thing ever: Found photos, digital style.
-A surprisingly good interview with producer Diamond D.
I've said this before, but I'm not religious and in general, I mistrust Christianity given it's questionable historical alliance with colonialism but whatever - "Jesus Walks" is an amazing song. I played this at the club the other night and it's like the best thing ever. It's just too bad that Kanye also has to get behind tacky shit like this.
(Apparently, there are three versions of the video, just so you know).
(credit: Pickin' Boogers)
(credit: Pickin' Boogers)
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