groove yard june 1999 archived June 15, 1999 - hot sh*t, makin' ya bounce


The Absolute Best
Akrobatik: Ruff Enuff/Woman/The Fat Sh*t (Detonator)

A rather remarkable single all things considered. Akrobatik's A-side is a likable, bouncy and memorable braggadocio song, but really, the B-side "Woman" is what sticks to your mind. He manages to pen a song about a strong, independent black woman that doesn't manage to patronize or pedastal-ize her, a very rare thing in a hip-hop community that sees women, in the words of Mos Def, as either bitches or queens. Not here...Akrobatik makes a strong statement about women that most female MCs haven't been able to achieve. Plus, a dope beat and chorus to boot. Rounding it all off is "The Fat Sh*t" feat. Mr. Lif and the two tag-team over a beatbox-inflected tracks. Definitely a cut for the de ep heads.


Bedroom Producksionz: S.E.L.F./I Know Ways (Du4Self)

Another incredible musical winner (along with Sound Providers, Obscure Disorder and Unsung Heroes), "S.E.L.F" is possibly the best sounding 12" I've ever heard out of Washington State (no offense to Conception and the rest, but this sh*t had me near tears). Great Common sample and jazz loop. Lyrics are just a little disjointedly rough for the slick track but don't disappoint. The remix is unnecessary, but is decent, giving the song a much darker mood. "I Know Ways" is ok, but a little too busy for my taste. No matter..."S.E.L.F." gets high, high recommendations for this Tacoma crew.


Blak Forest: Bang Theory/Church Girl/Battlecry (Skanless)

Great beats on this 12" and the lyrics come close to complementing them. "Bang Theory's" funky track is kept simple, but slick but BF can't quite get the chemistry down right. "Church Girl" floats on some more fluid beats which work well with LMNO's abstracted lyricism (though his stilted rhyme scheme still screams for a re-tuning). Cleaning it all up is the superior "Battlecry" which has fantastic beats and BF finally finds their groove to spit over. Wild hot like Tabasco, you know?


Buckshot, 5Ft & Evil Dee: Onslaught/Showdown (Duck Down)

Legalities are legalities, but "Buckshot, 5Ft and Evil Dee" is just damn awkward to try to say. Black Moon was a lot smoother, no? Flat name aside, the resurrected Black Moon is still spitting fire as usual. This isn't "(re)Enta Da Stage" or anything, mostly b/c Beatminerz production is much more low end oriented and not so much focused on ill sampling, but regardless, both sides are hot as hell. "Onslaught" screams on you from the get go and doesn't let up...better yet, even though it threatens "Flipmode Squad", it's just Busta on the cameo...no Rampage in sight. Flip the disc and you're still all good, jumping along to Buckshot on "Showdown" (last heard on Flexmaster's Vol 3) over Evil Dee's neck-snapping bassline. Just bounce to this, bounce to this... As good as you could ask for on a Black Moon return.


Common: Like They Used to Say/1-9-9-9 (Rawkus)

For those left somewhat disappointed with Common's last LP, thinking it was a little too pop-oriented, he comes back with a 12" to dispell all doubts that he's still one of hip-hop's premier lyricists. The lead-off single from Rawkus' upcoming *Soundbombing 2* compilation, "Like They Used to Say" is Common's take on the "how good sh*t used to be" nostalgia trip that many MCs seem to be taking. Great verses..."my lyrics are like racism/they surround you." The beat (could be Shawn J, but I doubt it) isn't a classic, but it's more than functional, mixing in fading horns and what sounds like a toy piano. The choruses are cool - a sampling of classic verses and hooks themselves...play "name that tune" with friends! "1-9-9-9" is similarly dope, especially with its rich, orchestral track that fills the spaces not taken up Common and guest Sadat X. It's the better musical track and maybe the better lyrical song as well...peep, "I hold the mic like a memory/some say I'm good at metaphors, but these are similes." Sadat X is a'ight...I wasn't struck by his content, but his form is always welcome...one of the illest flows in hip hop. Either way (A or B), you can't lose. This is easily one of THE best 12"s Rawkus has put out in the last two years and they've put out plenty of good singles. Chew on that.


Constant Deviants: Can't Stop/Paid In Full 98/Fed Up (Brooklyn Pipeline)

Jeez, where the hell did these guys disappear to after making "Catch a Speedknot"? Two+ years later, Constant Deviants are back and make a nice return with the jazzy "Can't Stop". The beat's nice and melodic, something out of the lounge-y 50s almost - smoothed out without being soft. Lyrics concern themselves with hip hop's glory yesteryears. Hot song for the Deviants, no question. Unfortunately, they overextend themselves with "Paid In Full 1998". The concept isn't original and let's face it - no one covers the R. "Fed Up" is s'okay, but Premier should sue for production infringement as the beat sounds like it was copied off of a Works of Mart blueprint. Vey chopped, shrill piano chords, that sorta thing. And it's not really that hype anyway. Stick with "Can't Stop".


D-Shade: Do the Math/Full Contact (Audio Research)

Once D-Shade starts rhyming on "Do the Math", he just doesn't stop, spitting verse after verse of clever punchlines over a crazy simple (but effective) track. "Yo, do the math and calculate the odds/and you will see D is destined to be large." Pretty hot - credit another fly track to Dave One (who hooked up Obscure Disorder's superior 12"). "Full Contact" is more of the same, but the xylophone track isn't quite as likable and D-Shade, battle-MC part 2 routine feels tired after the exhausting A-side.


D.Auguste: Rain Dance/Dream Pool/Nowhere To Run (Recess)

The generic cover told me to keep my expectations low, but D.Auguste won me over with a fine song on "Rain Dance"...strong flow, good lyrics and a memorable, melodic piano loop. This kid's from Boston? One of the better MCs to emerge from Beantown, for certain. He does a'ight on "Dream Pool", though it sounds a lot more generic. "Nowhere To Run" brings it back with a little more heat (but the beat still doesn't step up). Just let " Rain Dance" shower down.


Da Bulldugs: Run For Ya Life/Man Make the Money/Screem (Checkmate)

My biggest question with Ed OG back in the day was what the hell did the Bulldogs do? This 12" at leaszt tries to answer part of the question as the Da Bulldogs finally emerge from hibernation and put out "Run For Ya Life", backed by Ed OG's "Man Make the Money." The A-side is grating...too much yelling, bland beats and did I mention, too much yelling? Unimpressive to say the least, but Ed OG brings it back with "Man Make the Money"...despite the smooth-sounding, R&B-tinged beat, the track is the apt vehicle for the Da Bulldogs to spit over, especially Ed who kicks off the cipher fest. However, it all comes together on "Screem" which has nice, crunchy drums and hot lyrics by the Da Bulldog squad. Hot, hot, hot 'cept for the lame intro.


Dilated Peoples: Rework the Angles/Guaranteed/Work the Angles remix (ABB)

Here's how to unpack this 12": "Rework the Angles" has the original Kutmasta Kurt beat with new lyrics by: AG, Defari and Xzibit, plus cuts by DJ Babu instead of Revolution. Cool new verses over a now-classic beat. The "Work the Angles" remix has the original lyrics by Evidence and Iriscience over a new beat by Evidence. Nice sh*t too, though it can't top Kurt's original - I would have preferred new verses by Evidence and Iriscience instead since I've played the original lyrics to death by now. "Guaranteed" is all new with beats by the Alchemist and slanguistics slung by Dilated (and cuts by Babs). A decent track - I thought the rhyme flow felt a little awkward at times, but the hook was cool and the horn-filled track was well-made (which says a lot since I haven't been won over by a lot of Alchemist's recent work). Definitely one to add to the crates for any Dilated fan.


Dr. Oop: Deep Impact/Just the Three Of Us b/w Droop Capone: Crunch Time/Supa-Drupa (PUTS)

"Deep Impact" is more dramatic but "Just the Three Of Us" eventually won me over with its soothing jazz piano track and easy-going lyrics by Dr. Oop and Black Love. A dark horse winner to check for. Lyrics are fine - typically braggadocio without bein g too obnoxious and just the right amount of cleverness. Oop's alter ego, Droop Capone was ok, but his rhyme scheme wasn't really my cup of tea...a tad too familiar/simplistic. Besides, the beats on "Crunch Time" weren't anything special. "SupaDrupa" was more interesti ng, but that's about it. Stick with Dr. Oop.in the original state


Eminem: My Name Is... (Aftermath)

It doesn't matter what obscure, backwater corner of the country you're in - you can't escape this song. All things considered, it's both a surprise hit and yet it shouldn't be. It's a surprise b/c the lyrics aren't particularly clever, the Libi Siffre sample has already been crushed by everyone from Jay Z to Wu Tang and sh*t, Eminem doesn't exactly sound like the R reborn. On the flipside, America's been waiting for a poor white trash MC to get down with and guess what? Eminem's the motherf*cking man on that tip. F--- it, even I like the song despite my misgivings...it's not my idea of classic hip-hop, but I ain't mad at it (yet).


Foreign Legion: Overnight Success/Full-Time B-Boy/Underground (ABB)

After helping Defari and Dilated Peoples explode on the scene, ABB has a new act to tout: Foreign Legion. Made up of MCs Peter Parker and Prozack, plus DJ Design Foreign Legion's debut single is likely to only increase ABB's stock in the underground with three quality cuts to sample from. The MCs are a little more conventional than Dilated and Defari rhyme scheme-wise...reminding me a little of Ugly Duckling except that these two have skills (I know, ouch). All three songs were great though "Underground's" head-nod express of horns and drums had me the most interested. However, "Full-Time B-Boy" had a great hook and 'nuff thump to keep your speakers spaced-out. Likewise, "Overnight Success'" jazzy track of high-pitched keyboards were top-notch too. Another triple threat from ABB.


Inspectah Dek: R.E.C. Room (Loud)

Is there any question that he could have the best Wu Tang album yet? I don't know why cats like Cappadonna and Killarmy are getting put on ahead of Dek...his lyrics just scream "classic" even if he's just saying them for the first time. This 12" is no different - just some vintage Wu Tang slanguistics and decent production by True Master.


Jedi: The Journey/Spitmode (Head Bop)

While perhaps not as sublime as the Unsung Heroes single that also featurs Siah and Yeshua dapo ED, there's no lack of lovely hip hop to be had on Jedi's 12" either. Not to be confused with the Jedi Mind Tricks, this Jedi, Son of Spock, might take its name from creatures that cruise the cosmos above, but the vibe is strictly underground. The A-side was a'ight, but became forgettable when I came to "Spitmode" on the flip. F A T song...the track's sonic presence is crazy large, jazzy, soulful and wide in sound. Dope lyrics from Siah, Yeshua and Jedi to boot. Very, very fly cut.


Kombo: Don't Stop/Pop Sh*t (Infini-T)

A close peer tagged this one as the next sh*t and after checking out "Don't Stop", I'm not one to disagree. Kombo unleashes a tirade against the wack hip-hop...well-rhymed, accessible lyrics. Track-wise, it's butta...a playful electronic piano loop runs underneath a Common Sense snippet on the chorus and then mutes itself, only leaving a murked out sample plus the slightly anemic drum track. Good sh*t. B-side was disappointing though...booooring beat and the lyrics weren't enough to cover the difference. Stick with the A and you'll stay happy.


Lone Catalysts: Paper Chase/Lone Catalysts/Heirs/Thin as Paper (B.U.K.A.)

Unassuming in manner, but compelling in rhyme and feel, Lone Catalysts have a superior debut 12" on their hands. "Paper Chase" could use a new title, but it's not the same ol' either and J-Rawls' whimsical loop is well worth a listen (but you, pump up the drums!) "Lone Catalysts" is similary smooth to the ear, real soothing but the demo sound quality mars the effort a little...you might try the version that appears on "Hip Hop Independents Day Pt 2" instead. "Heirs" is just more of the same, somber and thoughtful, completing a nice hat trick for the Catalysts' MC (whose name escapes me) and producer-on-the-rise J-Rawls. The only flat moment is "Thin as Paper" whose revision of MC Lyte's "Paperthin" just doesn't work despite an admirable attempt.


Maylay Sparks: Unusual Styles/Imani (Readyrock)

A strong single from Philly's Rasheed, now under the nom de plume Maylay Sparks. Him and fellow Illadelphian Kamachi trade verses on "Unusual Styles" while Omne's jazzy, piano-powered track flows underneath. Very smooth and worth nodding off to (plus good cuts by Jay-Ski). "Imani" flips a bassline that I know I've heard elsewhere, but I can't place where. Not a bad choice, but the drums actually didn't come off as good as they wanted to. This time, it's Rasheed with Krush B doing the verbal tag-team, but it's not quite as interesting as the A-side. Either way, the single's is a worthy follow-up to Rasheed and Ill Advised's "1.9.8.6." Check for this.


Mr. Complex: Ima killit/Big Frontier (7 Headz)

Mmmm...I'm loving the crazy jazzy beat on is one (done by Lee Stone). Mr. Complex's flow is definitely an acquired flavor - sometimes he's hitting, other times, he's struggling to keep on beat, but it's easy to forgive the slip-ups when the track has you pulled in. "Big Frontier" is more somber and not as interesting, though I actually thought Complex came off better on the flipside. Either way, this is a quality 12" for the underground crowd.


Mr. GreenWeedz and his Shades of Blue EP (Mr. GreenWeedz)

Hip-hop from the more esoteric side of the community, but likable (rather than inaccessible). I'm assuming Mr. GreenWeedz is down with All Natural since both Capital D and Tone B Nimble cameo on different tracks. The entire EP is very listenable, from the solemn piano loop for "Some Love" to the sound clash on "nocturnalasshosonathursday". Mr. GreenWeedz himself sounds like he's flowing out of a zone of thought, piecing rhymes to together than don't always make immediate sense, but never seem contrived or overly abstracted. This is a quiet EP that hides volumes, check for it.


Nas: Nas Is Like/Mr. Knockboots (Track Masters/Columbia)

Ok, everyone say it together..."Nas is baaaaack." F--- Escobar, it's the return of the Nasty. Primo beat clinks just right and Nas puts down most of his drug running bullsh*t. If I have to be ultra-picky, I'd say the lyrics aren't as deep or outstanding as some of his "Illmatic" material, but after "It Was Written", I'm pretty easy going, you know? "Ya'll know what I'm like/you pump it in your system every night." Of course, "Dr. Knockboots" slaps you back into reality a bit with an uninspired Wackmasterz formula cut. Whatever...I just pretend it's not there.


Obscure Disorder: Maintain the Focus/Small Talk/Last Call (Audio Research)

"Maintain the Focus" is the proverbial bomb. Every element hits just right, from the smooth, jazz guitar track by Dave One, to A-Trak's amazing cuts. The lyrics aren't immediately memorable (better engineering might have brought them more to the surface) but they meld with the track nicely so even if you don't catch it the first time, you just give 'em the benefit of the doubt that they ripped it. "Last Call" drills into you with a driving, dramatic beat - some dark alley sh*t. "Small Talk" starts off mildly enough until the piano loop sprinkles in, overwhelming you with its lushness. Plus, it's the first song where the lyrics come out the woodwork..."get the picture? We make moves like Bobby Fisher/All over the map/bumrushing cats like the militia". Another winner. And just to clean it all up is A-Trak's "Scratch Practice", a sheer joy for any avowed DJing fan...no wonder this kid convinced the Piklz to put hi m on after just one performance. Hot damn!


People Under the Stairs EP (PUTS)

I'm feeling this EP from People Under the Stairs...good underground material that has tight beats and rhymes. I really liked "Time to Rock Our Sh*t" with its Freestyle Fellowship hook, rugged drum track and key-fueled melody that flowed seamlessly over the drums. Hot sh*t. A nice double-punch between this and the Dr. Oop 12", both of which are on the PUTS label.


Rahzel: All I Know/? vs. Rahzel (MCA)

Rahzel with Pete Rock, together? Aw sh*t money, you know this is going to be hot. Of course, Rahzel's not exactly at the Black Thought-level of MCing, but he holds his own decently, plus with his vocal FX strewn throughout the song, it's got more butter than pound cake. High energy, with tons of flair thanks to Pete Rock's chaotic track.


Sound Providers: Dope Transmission/The Field (Quarternote)

Easily one of my favorite singles of the moment. Straight outta San Diego, the Sound Providers have a simply great sounding pair of songs to boast about plus decent lyrics (the flow could be a tighter, but the content is in the right place). "Dope Transmission" flexes some be-bop drums and a piano loop...crazy jazzy, but wait - you haven't even gotten to me flipside where the jazz guitar track just kills me everytime. Smoother than aged brandy and just as intoxicating. Trust me - you'll like this single.


Unspoken Heard: Better/Smiley (7 Headz)

Another one of my current favorites. Both sides just sound goooood, especially with the soulful humming that gets looped for "Smiley". Both sides are smoother than silk and should bring happy grins to the faces of heads. Lyrics are aligned with the pro-positive forces without sounding sappy about it. Great sh*t to listen to - look for this one.


Unsung Heroes: The Norm/Transatlantic (Scenario/Fat Beats)

Easily THE strongest single I've heard in god knows how long. Siah and Yeshua dapo ED are such charismatic MCs that it's hard not to like anything they touch, but 'nuff credit has to go to Unsung Heroes (I'm guessing their European, but I don't know which country) for fan-f*ckin'-tastic production on both sides that challenged all MCs concerned to step up to match (and they do.). "The Norm" kicks some low end basslines, space-age keyboard effects and crisp snares - absolutely entralling to vibe out to. "Transatlantic" is just as good, with the same wonderful drum work plus a great piano melody that will have me diggin' around to locate it. This is what underground hip hop is suppo sed to be about - beats and rhyme that put you on a high that you never want to step off of. Don't sleep.


The Quality Rest


Alkaholiks & Xzibit: Prime Time (Franchise)

This is the single that's on the new Funkmaster Flex Vol III mix-album. A dope song with Xzibit and the Alkies, one of the better ones from Flex's album. B-side has the Ice Cube/Mack 10 freestyle plus another that evades my memory at the moment, but it wasn't that hype.


Apani B-Fly Emcee: Estragen/Woman In Me/Soul Control (Q-Boro)

Despite the all-star line up of female MCs, including What What from Natural Resource, Heroine from Juggaknots and Ayana Soyini formerly from Natural E, "Estragen" never quite kicks off as nicely as I might have wanted it to. Spinna's beat is cool, but didn't make enough of an imact to complement the serious lyrical tag-teaming that's going on. "Woman In Me" is pretty nice though, smooth and mellow with a vibe track that Apani flows over. Last but not least is "Soul Control", which is a helluva lot darker and Apani demonstrates considerable flexibility in switching up styles to meet the new challenge. It's too bad that her best song of late, "Narcotic" isn't on this 12". Look for that joint on "Tags of the Tape V. 2" on Japan's Mary Joy Records.


Attica Blues: 3Ree (A Means To Be) (FFRR/Mo Wax)

Worth noting because it has a re-release of their highly sought after "Tender" remix feat. Organized Konfusion. Besides that, the blue vinyl is a nice touch and oh yeah, did I forget to mention that Showbiz does the main mix of "3Ree"? I'm still not a big fan of Attica Blues' torch singing (though they don't annoy me anywhere as much as Portishead does).


Baka Boys Present: Friday Nite Flavas (Cali Kings)

If you didn't pick up the "Cali Kings" 12" yet (and shame on you for not getting it earlier), the Baka Boys' "Friday Nite Flavas" gives you a second chance, PLUS a fresh little freestyle duet b/t the Cocoa Brovaz and Snoopy Dogg. Added bonus: an Ozomatli remix ("What It Is") feat. Chali 2na from Jurassic 5. Not essential, but still pretty damn good.


Below Zero EP (Double LP)

A fairly impressive hip hop EP out of Europe (Sweden?). Beats are banging from the get go with "Collaboration Overseas" (feat. EbF from Various Blends). "21st Century Style Poetry" has some hot cuts and hooks over a hardcore track. Flip the disk and more pleasure awaits, with "Soldiers From the Start's" rough n' rugged tracks complementing the "Double LP" theme song, smooth and lovely. Vocally, the material is decent, but the flow's lack sophistication (due to English being a second language? I don't know). In other words, the songs are more impressive sonically than lyrically, but I'd be willing to bet that a lot of underground heads would be feeling this EP.


Big Meal: Put It On 'Em (Hydra)

Big Meal sinks his teeth HEAVY into Nice N' Smooth's rhyme scheme (which isn't really all that worth biting to start with) BUT, I forgave him on "Put It On 'Em" b/c Vic's carnival-esque beat (which is rather like Nice N' Smooth's sh*t too) makes up the difference. Worth a spin. No such luck with the B-side, "Pimps, Players, Macks". A song as mundane as its name.


Buckwild EP (Fat Beats)

The good news is his collab with OC (always a good combination) on "Burn Me Slow". Buckwild does dip into the same Patrice Rushen sample that Royal Flush had on his last LP, but I was willing to forgive the duplication...the song just sounds so damn good and OC represents lovely as usual. Unfortunately, the bad news is that the other three songs on this EP are blase blah. Resevior Dogs and Kurrup Money both turn in the typical gun-clap/big willie bullsh*t on "No Trust" and "Move Your Feet" respecitvely. Big Pun tries to clean it all up on the remix for "Dream Shatter", but it ain't that dreamy.


Deadly Snakes: Culebras De Muerte/Wild West (Tommy Boy Black)

Slightly above average (which says a lot for Tommy Boy Black given their lackluster roster) New York-stylized hip-hop. The beats for "Culebras De Muerte" and "Wild West" are hot, but the lyrics are straight pulled from any number of Tri-State MC styles...nothing new there at all. (Partial credit for decent flow though). "Wild West" has the better MC effort, but lines like this: "f*ck up your head with different topics/to let you know/where I'm coming from/and the outcome with be something catastrophic", it's not quite coming together that cleverly. Worth a mix show spin maybe.


Del the Funky Homosapien: Help Me Out b/w Ed OG: I Feel You (Industy)

Off of the practically invisible *Beats and Lyrics 2* compilation, this 12" features two mixes of Del's "Help Me Out" plus the Ed OG B-side "I Feel You." The Del remix actually sounds a lot like something the Hieros would have cooked up anyway...I sort of prefer DJ EQ's original funk chaos beats though neither one really made a large impression on me. Ed OG, who is showing up everywhere lately, has a very strong cut with "I Feel You"...smooth, jazzy and with that signature Ed OG flow. B-side wins again. This one isn't essential, but you could do a lot worse - check it out.


Demastas: Ain't No Sunshine/V.I. to N.Y. (London)

I reviewed the A-side the last time around, but the commercial copy has a nice little b-side in "V.I. to N.Y." That's Virgin Islands for the uninitiated, the country that Demastas come from and this sound represents ever (not) so subtlely thorugh the steel drum sample that dances its way into the chorus. Simple, but I'm feeling it.


Eargasms: Crucial Poetics Vol 1 (Ozone)

Strong five-song EP of spoken word mixed with hip hop. Rha Goddess' "My Pen" remix is just a tad too smooth in feel (i.e. a little too much R&B mixed in), but Saul Williams wipes the slate clean several times over with "Twice the First Time", one of his many explosive and amazing poems. Bobbito (word?) shows up for "The Cucumber" but I never could getting into his rattle and prattle. The joint though is "Bladerunners" featuring Mike Ladd and Co-Flow...this song is also on the Mary Joy's upcoming "Tales of the Tape: Vol 2" LP and it's a pretty stunning song for Co Flow fans - all that custom made, off-the-wall metaphorics that you've grown to love, laid over some post-industrial beats. Mos Def cleans it up with "Soldier's Dream", but he's talking, not rhyming.


Funkmaster Flex: Thug Brothers/Put Your Hammer Down (Loud)

Much as I bag on Funkmaster Flex, the man hires some good ass talent. This latest Loud promo from the LP has some of the best material off the mix-album, including the cameo song that we KNEW had to happen: Nore and Big Pun (who've appeared on everyone else's albums). Another Jesse West winner for "Thug Brothers" - rockin' sinister like KISS in their make-up days. It's one of the few Nore songs I can stomach. Mos Def's freestyle peeps up here too, but really, get to the B-side for Wu Tang's superior "Put Your Hammer Down", one of the best custom songs off Flex's Vol 3. Rza just comes with this funky fly beat that is one of the best loops he's dug up yet. Wu Tang at its dopest, j ust like you knew they could do, right boo?


KRS One: Knowledge Reigns Supreme/French Connection/I Will Make It/Comb Away (white)

These are actually on two different white labels, but I suspect that all four songs are off of the upcoming album (quality's too good to be throwaway demo tracks). "Knowledge Reigns Supreme" is the hype sh*t, borrowing a beat recently heard on the "Dusty Finger Vol 4" compilation and KRS just flips it lovely over the meaning of his name. "French Connection" takes it back to some ol' Al Green sh*t (the loop I mean) and this one sounds more demo-esque (bad sound processing). Nonetheless, Kris takes his verbal shots at the devil with his typical intellectual ammo and some might feel it. I don't care what other MFs think - KRS is simply the most consistent MC this world has ever seen. Disagree? Offer me another MC who's aged as well (and you better not say Rakim) over the last decade. Anyways, the other 12" follows the same pattern - "I Will Make It" is straight braggadocio bombastics while "Comb Away" is on some knowledge-sh*t, talking about black hair politics over what sounds like a classic Kenny Parker beat. The sound quality on this 12" isn't as good as the other by the way.


LL Cool J: Rasta Imposter (white)

LL over the "7 Minutes of Funk" beat ripping on Canibus and Wyclef. You know it's bad (not bad meaning bad, but bad meaning good).


Louis Logic: Planet Rock/Punchline/Logistics 101 (Superregular)

Eh...I wasn't that jazzed on this 12"...partly it's b/c the lyrics never really had me going - too stilted in flow (but the content is strictly sophisticato). If I had to pick a cut to pump, I'd easily go with "Punchline", mostly due to the sweet strings it flips on the beat and "punchy" hook. Otherwise, both "Logistics 101" and "Planet Rock" feel underproduced and unimpressive lyrically.


Method Man: Break Ups 2 Make Ups/Suspect Chin Music (Def Jam)

Sure to be commercial radio pleaser, "Breaks Ups" deserves whatever success it earns...a very smooth duo b/t Mr. Meth and D'Angelo. "Suspect Chin Music" is definitely on some bizaare RZA tip...maybe a little PLO style for some out there, you decide.


Mexakinz: Realism/The Wake-Up Show/Instinct (Wild West)

I've never really felt the Mexakinz as MCs...too much yelling, not enough focus on tighter rhyme schemes and no cleverness in content. Skip "Realism" and stop at "The Wake-Up Show" if you like Xzibit and Chino XL...they cameo and the Mexaminz actually hold their own, especially flipping some Spanish up in the mix. Beat-wise, it's ok...flipping the same sample as LONS used waaaaay back in the day for "Saab Story". I only really liked "Instict" for its beats...some of that old low rider soul sh*t (it's been sampled CRAZY times before, but I can't remember which original song it is). Lyrics are decent, but again, they won't blow you out the frame.


Mixmaster Mike: Surprize Packidge (Asphodel)

Great for fans of either Mixmaster Mike, Automator, or just crazy, chaotic sonic play in general. Everyone else may not get it, but that's not Mike's problem, dig?


Mr. Live w/ Tony Bones: The Bus' Off EP (Get These)

While I didn't like this quite as much as their last pairing together, it's still a fairly fresh EP, especially their notorious "Splashin' Over Monica" which is clean in language, but not in content. Talk about integrating your politics with your art... Unforutnately, the two main songs, "All Day" and "Throw Ya Mitts" actually have the weaker production on the EP...neither is particularly memorable, save "Throw Ya Mitts" at the end when it drops from 110 BPM down the 90s. Mr. Live's short "Brooklyn" is a great anthem, but way too short at only one minute. Still, a good EP all in all.


Naughty by Nature: Dirt All By My Lonely (Arista)

Frankly, I'm surprised Treach and company are still around (not b/c they're wack, but it's been a long time since "OPP" you know?). Treach is still his fierce self, this time bringing the verbal barrage over a simple, self-produced beat drawn from the catalog of pianist Les McCann. It's not infectous, but it is effective. Only Treach is worth checking for on this 12" (as opposed to the other MC), but it's still good to know that NBN can com e with it after all these years.


Nonce: The Sight of Things EP (Wild West)

These brothers are literally back from the brink of obscurity...having disappeared off the face of hip-hop after their last LP, three (or was it four) years back. The EP won't quite bring them back full-force...this is no "Mixtapes", but for those who dug their laid-back beats and flow, "The Sight of Things" will give you something to smile over. They include their superior "Who Falls Apart?" as well as the slick "Articulate with Math". The hot sh* t is "Live and Direct" though...crispy drum work and scratches keep this joint on point like a compass.


Outkast: Da Art of Storytelling (Pt. 1) (LaFace)

While not as booty-shaking as "Rosa Parks", this one's a slick one...great Outkast sh*t plus Slick Rick to boot on the cameo tip. Hotter than Atlanta asphalt.


Psycho & Rap One b/w Iriscience & Babu: On Deadly Ground (Blackberry)

So this is interesting...the 12" has the same beat on both sides, but offers a different MC/DJ combo. Between the two, Iriscience and Babu win on both counts, though Psycho's braggadocio is nothing to sneeze at. The beat itself is a re-freaking of Biggie's "Kick In The Door" but it rocks well like Norman (which it better be if they expect two MCs to catch wreck over it). Iriscience really does rip it though, throwing punchlines and clever bravado all over the place. Worth checking for.


Redman: Da Goodness/I Don't Kare (Def Jam)

Another bonafide set of club/mix pleasers. No remixes though.


Rob O: Don't You Love It? (white)

This would be another really great Rob O white label (what's up with that? He's pratically running a cottage industry in white label 12"s...or did some one steal all of Rob O's masters from the last four years?) EXCEPT that Rob O suddenly does his beat Noreaga impression on the rhyme flow. I don't like Nore in the flesh, let alone a clone. Still, hard to front on that soulful beat. Your call.


Rob Swift: Dope On Plastic (Asphodel)

Damn, this is one heavy slab of vinyl...maybe that's why Rob Swift guarantees the disc as "non-skip and scratch-safe." In any case, this is the fabled Large Professor remix of "Dope on Plastic", though I wasn't really wowed over...the beat is fine, but nothing outstanding. Otherwise, the rest of the disk is likable enough for turntablism fans even though I think Swift's scratch-matics lag behind other needle thrashers.


Roots: You Got Me (MCA)

Smoooth song, not the best from the album, but likable in most ways I can think of. I just wish the music was a touch more lush, sort of like how "Hypnotic" was, but f--- it, Badu represents lovely and Black Thought does the same. Who is that female MC though? Badu? Sounds to me like the Queens' honey that LL Cool J got for "Doin' It". The flipside remix isn't that much of an improvement, though it kicks the song into higher tempo, giving it more club flexibility. Dumping Badu for some Carribean flavor is a risk...probably the wrong one, though the steel drum melody is a nice inclusion. Fairly commercial overall, knawImean?


RZA: B.O.B.B.Y./Holocaust (Gee St.)

You won't be hearing these at the club, but even so, RZA's Bobby Digital alter ego creates interesting moments. Both sides are more interesting for their beat complexity than overall song strength...it's definitely more of an acquired taste, but if you like it digital, this one's for you.


Sacred Hoop: She's a Sacred, Sacred, Sacred, Sacred Hoop EP (Miasmatic)

Another decent three song banger from the Bay Area's Sacred Hoop. "Smokebomb" is the best cut to peep, boasting a thick ass bassline and strong lyrics from the Hoop members. Simply put together, but effective. "When I'm Broke" is a little more awkward on the beat tip which detracts from the lyrics...too much going on sound-wise and they should have minimalized rather than maximized. "Tear Gas" completes the trio, but while this "Smokebomb" remix tries to come heavy and hunky, it never really took off too me, dragged down by the awkward beat. Stick to the original.


Sir Menelik: Space Cadillac rx/Game Time/Terror Works (Rawkus)

Now that he's done (temporarily) with his Scaramanga alter-ego, it's time for Sir Menelik to jump back into his Space Cadillac and blast off into his abstracted cosmos. The intro to the remix is a little awkward, but Spinna comes fresh with some crispy ass drums and an off-the-wall track. "Game Time" felt lethargic, despite El-P's beats and Menelik's strong lyrics. "Terror Works" was kind of the same way...the beat's cool, but doesn't move you yet Menelik's mic presence has improved considerably. Mixed blessings on this single.


Slick Rick: Kill Niggaz (white)

A surprisingly good white label 12" from Slick Rick who translates his bitter prison experience into the impetus for a hard-edged and intimdating song about Slick Rick's ill state of mind following jail time. It's "Children's Story" for the adult crowd, with Slick Rick going out in a haze of gunsmoke and bad language. "The reason why your girlfriend digs us is 'cause I kills niggaz." Hot damn, the world is his.


Superrapin' 12" with L-Fudge: Dimmin' The Life b/w Mathematik and Bahamadia: Following Goals (Groove Attack)

Ed OG & DJ Spinna: Let's Be Realistic b/w Samboa: Ze Bede 7" (Groove Attack/Spinning Wheel)

This upcoming compilation "Superrappin'", on paper at least, seems to be an indie hip hop love fest with a lot of big names underground MCs, including El Da Sensei, Pharoah Monche, Mos Def and of course, the three MCs listed here. However, you kind of wonder why they picked these two songs... 'Nuff respect to L-Fudge, Mathematik and Bahamadia, but neither side really impressed me...the production felt anemic and the rappers involved didn't do enough to make up the difference. I know I'm not being very specific, but seriously, there wasn't much to get really specific about except for Frakenstein's remix for "Following Goals" which is a step above the bland original mix, but still doesn't change the flat chemistry exhibited on the single. Not horrible, but a little disappointing. Ironically, it's a limited edition 45 RPM 7" from Groove Attack that's more enjoyable with Ed OG showing up (again) over a formula DJ Spinna beat. Groove-able definitely (though not the most outstanding work from either artist). The flipside is from another compilation and is on a slick, samba tip. O le Brazil!


Tash: Bermuda Triangle (Loud)

The secret to Tash's album being a success? Just stick with E-Swift as you're producer. The Alkies' beat-maker is simply one of the most underrated producers out there...only Xzibit and Defari seem to know what's up, but his sh*t is just consistently fat. "Bermuda Triangle's" no exception with a nice, thick funk beat setting it off (you can well imagine Tash or Redman ripping over it...memo to the execs at Loud and Def Jam). As for Tash? You know his steez - hot lyrical sh*t. "My style is kinda flash like Busta Rhymes' clothes." No did-out.


Team Demolition: Dirty Gusto/Nature Rise/Sacks (Depth Charge)

This is one of those otherwise generic-as-f*ck NY-indie singles that would just be more static in my ear EXCEPT that it's blessed with a f*cking killer beat. You know what I'm talkin' about son... I can't even explain the beat on "Dirty Gusto" 'cept that it's some sh*t Wu Tang might have dropped back when "36 Chambers" first dropped - it ain't nuttin' to f*ck with (even if the lyrics are forgettable). "Nature Rise" also shows good beat-bounciness - not as dark, it's on some happier (but not too happy) sh*t but my neck snaps confirmed that it was worth a listen. "Sacks" can get the sack for lame concept and beats.


Tupac: God Bless the Dead (Death Row/Interscope)

Someone's going to have to explain this one to me...2Pac died six months BEFORE Biggie, yet "God Bless the Dead" sounds a lot like a memorial song for Biggie, from 2Pac. So...either 2Pac was a damn psychic, or else he knew Biggie was going to die somewhere down the line of unnatural causes and decided to be pre-emptive about it. OR, 2Pac ain't really dead and is chilling in Cuba with a Havana in his mouth and some rum in his hand. Someone else got a better explanation? In any case, it's actually a decent song, especially musically speaking - a sh*tload tighter than that Bruce Hornsby bullsh*t on "Changes".


Ugly Duckling EP (1500)

If for no other reason, pick up the Ugly Duckling EP to sample Young Einstein, the groups's producer redefining his own laws of sonic relativism. A long-time beat chemist on the under, Einstein finally gets to shine on a higher level with a selection of crate-dug beats and breaks that make up some of the sweetest ear candy you'll hear all year especially on "Get On This" and his own song, "Einstein Takes Off". Unfortunately, Ugly Duckling's two MCs Dizzy Dustin and Austin Cooper can't keep up with the lyrical end of the bargain. They're not sloppy or awkward - just so simplistic that their lyrics sound elementary. Luckily, Einstein's concotions are strong enough to carry the EP and while the Duckling may lay an egg or two, at least one of them's golden.


The Bargain Bin aka The UnE.S.S.E.N.T.I.A.L.

All City: Ded Right (MCA)

Better than "The Hot Joint" but nothing you haven't already heard in NYC clubs and commercial radio.


Bad Meets Evil: Nuttin' To Do/Scary Movies (Game)

It's a bad sign when your 12" cover is more provocative than your single. Specializing in scantily clad women (it seems), Game Recordings (overseen by Stretch Armstrong) presents their second single (first was "My Flows is Tight" by Digga). The lyrics, provided by Royce and Eminem are actually pretty good, but the beat on "Nuttin' To Do" is some recycled funk sh*t (boring). The flipside isn't much better (actually, it's worse now I think about it). They should've thrown the acapellas on here so we could have done our own remixes.


Black Moon: I Got Cha Opin - The Drum and Bass mixes (Nervous Dog)

Man, no wonder Buckshot and company are heated at Nervous...especially when the label capitalizes on the Black Moon name by releasing some half-witted drum n' bass remixes to "I Got Cha Opin". Horrendous.


Blondie: No Exit (Loud)

Don't call it a comeback.


Canibus: AIDS is Gold HIV is Platinum (Universal)

I'm not sure when it was, but apparently Canibus has taken on the responsibility for being the representative for all conspiracy theorists out there. I'm glad hip hoppers are getting involved in AIDS awareness, but it's just not that interesting to hear the X-Files set to beats, especially with Canibus rhyming as didactic as a grade school teacher. He needs to find an MC to dis.


Charlie Baltimore: Thorough Bitches/Everybody Wanna Know (Unterntainment)

Thorough garbage is more like it...this epitomizes everything wrong with commercial hip-hop, including the fact that Baltimore gets DJ Premier to do the flip-side "for the heads" even though she A) doesn't deserve to even try to dialogue with heads and B) it's no Paula Perry "Extra, Extra" at that. The A-side is just throwaway...a bad feminist anthem with a bad beat and bad rhymes.


Dwellas: Stand Up (Loud)

S'okay, but the Dwellas really underwhelm me lyrically speaking. What do they do that's so special? They sound like every other MC I've heard on record out of NYC. The beat by Nick the Wiz is kind of hot though...l ick a shot!


Eddie Meeks & Thareeko: Larger Than Life EP (Asylum)

Beats are decent the whole way through on the EP, plus they cameo Saukrates on the remix for "Gun Clappin", but I have to say - the lyrics were wholly uninspiring the whole way through. Generic as all hell plus no distinguishing flow or rhyme scheme points that would help pump up the worth of the EP. It's not horrible, but the tracks aren't strong enough to carry the MCs so it's hard to give this one a solid thumbs up.


Eva Flo: I'm the One/Whut You Smokin (Fortress) K-Bomb: Bump This/Stories I Know (Fortress)

Now that he's not working with Natural E, Charlmagne just isn't cooking up the same hot beats (and nor is his MC partners that impressive). K-Bomb is straight generic, ripping his rhyme style from any number of MCs you can name. "Stories I Know 'Chico'" has a nice banging beat though, but I'm not sure that's enough. Eva-Flo would be more of the same if not for the weed smoker's anthem, "Whut You Smokin'" which is kind of catchy even if you don't puff lah. "I'm the One" is too energetic for Eva Flo's lethargic steez though.


Everlast: Painkiller/Praise the Lord/Money (Tommy Boy)

Everlast is still the same MC he was with House of Pain, even if he's now Whitey Ford, new jack blues singer. This disc isn't bad, especially with strong production on "Praise the Lord" and "Money" (feat. Sadat X) but Everlast has never been a compelling lyricist, despite his admirable attempts at making morality plays. You either feel him or you don't and I don't.


Godzilla feat. L.O.J.: Splifted/Mirror, Mirror/Do What You Gotta Do (Blacklist)

Lyrically, this whole joint goes nowhere fast and beat-wise, not much catches your attention 'cept for the Edwin Starr sample on "Do What You Gotta Do", but between Tone Loc and Dilated Peoples, they've already killed that loop.


Group Home: Dial-A-Thug (Fat Beats)

Don't call it comeback, part 2.


Ice Cube: Pushin Weight remix (Priority)

With Noreaga? What what? Puh-leaze.


KRS One: 5 Boroughs (Jive)

I could be wrong, but might this be the worst lead-off single KRS has ever put out? Think about the 12"s he kicked off the last three LPs with: "Outta Here", "MCs Act Like They Don't Know" and "Step In a World". This 12" is worse than most of the poorest songs that were on the last three LPs. What the f--- Blastmaster? Conceptually, it's hot, but Cam'Ron? Keith Murray? Killah Priest? Vigilante? Need I continue? Sure...Run? Ok, you get the idea. You figure someone like KRS would connect with some all-star MCs. How 'bout Inspectah Dek from SI? You need a Queens' MC? Shiiiiit, give the R a quick call and settle the debate of who's the best MC. Buckshot as the Brooklyn-ite is just fine, and frankly, I don't who the f--- is from Manhattan proper (and when the hell did Brick City become a NY borough?). Lastly, who the f--- is William Broady and Yogi? More like Boo Boo Bear ya dig? Bleah, disappointing as hell.


Mad Ill: It's Da Joint/Truth/Mad Ill (IL)

"It's Da Joint" is decent enough on the beat-tip, but Mad Ill wasn't only half-sick as a lyricist, especially with yet another ode to the weed (nothin' new). Likewise, "Truth" sounded good, but when the verses came in, I tuned out...too much sing-songiness in the flow. "Mad Ill" wasn't much either. This is an ok underground 12", but likely won't make much of an impression.


MC Lyte: Party Goin' On/Top Billin/This Emcee (blank)

Not really worth mentioning except for the nice duet between Lyte and Milk D (from Audio Two) on "This Emcee" as both drop rhymes over a reconstituted form of "Top Billin's" familiar drum track. Certainly not essential, but not horrible either.


Natruel: Live People/Make It Our U Die (Bi-Coastal)

Average New York, keep-it-real, do-or-die hip hop. Beats: un-outstanding. Lyrics: lack punch and passion.


Outfit: Beauty of the Week/3 Mics, 2 Marks, 1 Jas (Super Vinyl)

Ho hom...the A-side is a funny, but unremarkable ode to masturbation (an increasingly hip-hop topic it would seem) while the flip side is below average braggadocio. I liked the last EP these guys put out, but outside of "Beauty of the Week's" smooth tracks and humorous content, this wasn't particularly memorable.


Pete Rock: assorted promo singles (Loud)

All in all, nothing really essential except mor "Tha Game" maybe...but it's not the best that Pete Rock does beat-wise. I could have rathered see "Soul Brother #1" or "Da Two" on a 12".


Run DMC: The Beginning (Profile)

Don't call it a comeback, part 3. Run DMC should have called this "the end" b/c they're in danger of killing their legacy with an ill-executed return. Has Run been kicking it with Bone or what?


Sauce Money: Middle Finger U/Pre-Game (MCA)

With the right beat (read: Primo), Sauce Money sounds like he's on fire, but otherwise, you become more aware of his gaps in content - he's not what I'd call a metaphoric MC so when he leaves you confused, it probably means he's not really saying anything. "Middle Finger U" is boring, some battle-sh*t that sounds like it belonged on Canibus' last LP. "Pre-Game" steps it up, coming sinister as Sauce Money and Jay Z team up...better, though not as tight as Money's last 12". This one will catch fire for a hot second, but not much longer.


Skeme Team Presents Plan A with Brooklyn Academy: Con Artists b/w W.H.T.: 14 Years of Rap (3-2-1)

Much as I want to like this, I have to say that this feels like one huge waste of indie talent. You figured any disc with Pumpkinhead, Word A' Mouth, the Arsonists and Non-Phixion would have to be blazin' right? Wrong..."Con Artists" is straight boorishly dull, mostly thanks to the unspired production but really, neither Pumpkinhead nor Word A' Mouth come off. The duo of Non-Phixion with the Arsonists is better on "14 Years of Rap", but the string samples is far less dramatic that I think it was supposed to be. Lyrics out the wazoo, but they don't stick to the shallow track.


Sonic Sum: Downtown Maze/Skypirate (Skypimps)

Abstract, esoteric hip hop that has decent lyrics flow-wise, forgettable beats and little content to hang onto. "Downtown Maze" is the better of the two, not quite as ethereal as "Sky Pirates" which never manages touch down to earth. But seriously, this is pretty unconventional so be open-minded if you take it for a spin. "I burn my spine at both ends/as I spread myself too thin." Whatever...


Thawford: Memories/Savor the Moment/Memories '95 (Indus)

Boring...MC has no real presence despite his attempt to assert some. Beats are instantly forgettable, save the chaos on "Memories '95", which is provocative, but it doesn't hold up as an entire song.


Tragedy Khadafi: Blood Type (Gee St.)

The same ol' sh*t that Nore, CNN and Tragedy have been putting out for the last two years. No new surprises. Old fans will love it, newcomers probably won't pay much attention.


Us: Niggaz/Streetz Worldwide/Seen What I Seen (House of Power)

Apparently, the group is featured on the IUMA web site, which only suggets to me that the Internet may NOT be the future. This is a pretty generic NY group in every capacity...only the beats on "Niggaz" had me mildly interested...hot sh*t, but Us douses some serious cold water on it with an entire song whose gimmick is that they rhyme the word "niggaz" at the end of each line. Suffice to say, I subtracted points for no creativity. Otherwise, the rest of the disc is forgettable.